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Our audiences aren't people who are trained to be experts in our specific areas. You, as a trained musician probably can't pick up a ton of subtleties about different piano brands. The ultra fine details and subtleties are over-empahsized and only noticeable to musicians trained VERY specifically in your area.
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Probably not, but you could probably tell a lot by just listening to another guitarist. Does that fucking matter? Can I tell what gauge of guitar strings, or what pick thickness, or what pedal setup you're using on guitar by listening. Due to expectations you often don't need to be the BEST at anything because most audiences can't even tell.Ĭan you tell if someone is playing a Bb, C, Eb, or piccolo trumpet? I can. Well that's not how that work (the rest of the saying is something like "often better than a master of one"). Well, good luck finding someone else with all of those abilities because everyone ends up feeling like being a jack of all trades is a master of none. You need someone to sing a one-to-a-part a capella piece, then lead some songs while walking on guitar. I often just get gigs where I'm playing multiple instrument and have become often the only person who could actually do a certain gig. I've picked up other instruments to varying degrees over the years and get gigs on them. I literally sometimes play both at the same time. Piano is my main money make, but I still get gigs on trumpet. One of the biggest things I've learned is that my versatility is what gets me employment. Well, no, you won't be throwing away anything.
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>Would I be shooting myself in the foot to “throw away” everything I’ve learned on other instruments to go full time with piano? wut?"Īnyway, that rant aside, I was a trumpet player and I actively gigged and such (in more classical settings) and then started up piano very late.
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I compare it to getting a Comp Sci degree and spending 4 years learning how to program for punch cards and only then going out into the world of modern computers and smart phone apps and thinking, "Wait. It's also when I started learning some of the real world skills that made me realize just how relatively shallow and empty traditional academia was. I didn't really take up piano seriously until 26 and sort of by accident due to circumstances. You can hear me bitch about how out of touch traditional academic music programs are with the reality of being a pro musicians frequently around here.
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So I'm a guy who had a very classical background starting with trumpet in school and went to a NOT Berklee like traditional music school.